PrinceCaspian
Star
- Joined
- May 10, 2011
- Location
- Canada
Ciro had bitten off more than he could chew, this time. It was his first commission for a wealthy merchant in Naples. After the prolific works of Michelangelo and DaVinci the demand for sculptors and painters had skyrocketed. Ciro was certainly talented enough. His apprenticeship was to a decent local artisan who had taught him the subtleties of sculpting and stone-cutting. He began his apprenticeship working with plaster and then moved onto limestone and granite. Rarely did he have the opportunity to work with the famous white marble that every affluent merchant or noble wanted to adorn their courtyards with. It was tricky, a finicky stone with veins and a soul of it's own.
He had been commissioned to make two life-sized statues. One of Adam and one of Eve. Ciro was intrigued since the church preached the virtues of both of them yet said they were the original sinners. This was the kind of work that could propel his career as both an artist and an artisan. There was only one problem, he had carved several men. Busts and statues of men were commonplace among the nobility, the church and the rich. They all wanted to have their appearance saved throughout time in timeless stone. Narcissism ran rampant during this "renaissance."
Women, however, were something foreign to Ciro. The apprenticeship began when he was 9 years old and he did not start on his own journey as a master sculptor until he was 22. 13 years he had been sheltered from women. He liked women and longed to hold one, but his life was given to the arts. Now he needed a woman that he could pose and manipulate into the position he needed, for a long period of time. He needed a model from which he could study the human form and etch it into the rock. Not only that, he needed someone who was going to be available at no cost for a long period of time; a nude model with the face and the curves necessary for a work worthy of his own name.
He began his search in the streets of Naples.
He had been commissioned to make two life-sized statues. One of Adam and one of Eve. Ciro was intrigued since the church preached the virtues of both of them yet said they were the original sinners. This was the kind of work that could propel his career as both an artist and an artisan. There was only one problem, he had carved several men. Busts and statues of men were commonplace among the nobility, the church and the rich. They all wanted to have their appearance saved throughout time in timeless stone. Narcissism ran rampant during this "renaissance."
Women, however, were something foreign to Ciro. The apprenticeship began when he was 9 years old and he did not start on his own journey as a master sculptor until he was 22. 13 years he had been sheltered from women. He liked women and longed to hold one, but his life was given to the arts. Now he needed a woman that he could pose and manipulate into the position he needed, for a long period of time. He needed a model from which he could study the human form and etch it into the rock. Not only that, he needed someone who was going to be available at no cost for a long period of time; a nude model with the face and the curves necessary for a work worthy of his own name.
He began his search in the streets of Naples.