Editorial policies: [Rules] Mutants and Masterminds: An Age of Transition
Cast: [Characters] Mutants and Masterminds: An Age of Transition
Letters page: [OoC] Mutants and Masterminds: An Age of Transition
Prosperity is a city falling forward into the future. The rise of superhumans has no one cause - genetics, technology, or even magic - but they produce one effect: the strain and strife of a society that does not know what to do with them. How do the police stop someone that can snap handcuffs, deflect bullets, or disappear from a sealed room? The system was not built for supervillains; only superheroes can stand in their way. Both are mockeries of the rule of law.
Prosperity is the home to millions of people, billions of dollars, and the highest rate of superhuman activity in the world. In Prosperity, it's easy to be a super; crime tends to be lightly punished so long as it avoids serious injury or death, and vigilantism, while illegal on paper, is almost ignored in practice. Much of the public rants and raves about the law's light touch and beseeches the government to take control of the situation. Others fear that the government simply can't control supers, and all it can do is incentivize them to limit the death and destruction. Yet other, smaller, fringe voices suggest that the government is up to something yet sneakier.
Despite the growing pains of a changing society, Prosperity is a city of opportunity - a forefront of business, science, and culture. It is a great place for someone to make their fortune, find their fame, or disappear. For six people, each with different gifts, Prosperity is home.
Radiance
Lucy Aldwin works at the Prosperity Central Public Library. Due to her lack of experience or accredited schooling, she typically handles grunt work like shelving books and restocking books. Today, she's preparing the basement hall for a demonstration later that day. The Movement for Movement, a non-profit organization dedicated to promoting physical activity in local youths, has asked Prosperity-area athletes to speak about their careers to increase interest in sports.
Irma, the library's other unskilled labourer, helps organize the folding chairs into neat rows. Irma is young, possibly even younger than Lucy, and works part-time at the library to help pay for university. Though small and slight, she's energetic and ethusiastic enough that the work goes quickly.
"Are you going to stay and watch the talk?" Irma asks, looking up at Lucy while she unfolds another chair. "I've never really been into sports, but maybe I will. I read they're putting in extra effort to get girls into sports. Do you think there'll be a lot of female speakers? I'd like to see that."
Gwen Cross, Ivory Ace, Tom Drake
Gwen, Selena, and Tom live different lives and have different legacies, but all three receive the same message from The Movement for Movement, a local non-profit. All three are invited to speak at the Prosperity Central Public Library to encourage youths to engage in sports and athletics. The call details the benefits this will have on children's physical health, and the importance of such in the age of video games, internet, and other sedentary distractions. If asked at length, the call will admit that The Movement for Movement cannot pay them for their time, but think of those benefits for the children!
Buford
WELCOME BACK, reads the cake. Well, now, it's more like WE B. Everyone in the department's celebrating Buford's return to the force. Surviving an attack from Nadia Grey, Prosperity's most wanted murderer, was impressive enough; completing his physical therapy and returning to field duty was nothing short of miraculous. Buford can't go five minutes without another cop patting him on the back and congratulating his hardiness.
At one point, a young, brash officer catches Buford isolated from the others. He shakes his hand, but Buford can let go, suddenly pulls him close and whispers into his ear.
"Don't worry, Officer Justice," the young officer whispers. "Every cop in the city's got a bullet with Grey's name on it. She'll never make it to trial."
Immediately after this clandestine promise, the officer slips away. Before he can follow up, Buford hears a familiar voice from behind him.
"Buford, walk with me." Captain Davidson joined the force about the same time as Buford, but shot through the ranks instead of sticking to the streets. He's still huge, but it's clear he's not twenty-five years old anymore - clear to everyone except, possibly, Davidson himself.
"First of all, it's good to have you back," Davidson says. "Second, it's not official yet, but everyone knows it's gonna happen, so - they're gonna offer to make you detective. You're overdue and everyone knows it, but there's more to it than that. Things are...different, out there. I don't have to tell you that. It used to be, people would see a cop walking the beat and feel safe. Now it just reminds them that the system's failed. We need you putting your expertise to work on real police work, not just grunt stuff. Findings the whos and whys, winning wars instead of battles."
Davidson looks over at Buford. "You get what I'm saying?"
Trevor Night
My Apologies from Another Reality is an ultra-niche sci-fi/horror/action manga with tragic romance elements. It is virtually unknown in the west, partially because its pun-laden dialogue and allusions to Japanese society, history, and mythology are impossible to translate, and partially because it is almost as unknown in Japan itself, being published in a single magazine limited to the Okinawa prefecture. Its deep worldbuilding, complex characters, and heartbreaking pathos invite discussion, but it's hard to find other readers. In all of Prosperity, Trevor Night has only found four others who read the manga. After each chapter is released, their discussion group meets at Prosperity Central Public Library to discuss it the following Saturday - today.
When Trevor arrives, he finds three others already at their usual table waiting for him: Greg, the fiftysomething who claims to have taught English in Tokyo decades ago; Jagruti, the thirtysomething housewife and mother of two who's introduced Trevor to manga titles that get less than a hundred Google hits; and Kenji, the eighteen-year-old second-generation immigrant studying cybernetics in university. Tandy isn't here yet, but that's okay; Trevor is still a couple minutes early.
Cast: [Characters] Mutants and Masterminds: An Age of Transition
Letters page: [OoC] Mutants and Masterminds: An Age of Transition
Prosperity is a city falling forward into the future. The rise of superhumans has no one cause - genetics, technology, or even magic - but they produce one effect: the strain and strife of a society that does not know what to do with them. How do the police stop someone that can snap handcuffs, deflect bullets, or disappear from a sealed room? The system was not built for supervillains; only superheroes can stand in their way. Both are mockeries of the rule of law.
Prosperity is the home to millions of people, billions of dollars, and the highest rate of superhuman activity in the world. In Prosperity, it's easy to be a super; crime tends to be lightly punished so long as it avoids serious injury or death, and vigilantism, while illegal on paper, is almost ignored in practice. Much of the public rants and raves about the law's light touch and beseeches the government to take control of the situation. Others fear that the government simply can't control supers, and all it can do is incentivize them to limit the death and destruction. Yet other, smaller, fringe voices suggest that the government is up to something yet sneakier.
Despite the growing pains of a changing society, Prosperity is a city of opportunity - a forefront of business, science, and culture. It is a great place for someone to make their fortune, find their fame, or disappear. For six people, each with different gifts, Prosperity is home.
Radiance
Lucy Aldwin works at the Prosperity Central Public Library. Due to her lack of experience or accredited schooling, she typically handles grunt work like shelving books and restocking books. Today, she's preparing the basement hall for a demonstration later that day. The Movement for Movement, a non-profit organization dedicated to promoting physical activity in local youths, has asked Prosperity-area athletes to speak about their careers to increase interest in sports.
Irma, the library's other unskilled labourer, helps organize the folding chairs into neat rows. Irma is young, possibly even younger than Lucy, and works part-time at the library to help pay for university. Though small and slight, she's energetic and ethusiastic enough that the work goes quickly.
"Are you going to stay and watch the talk?" Irma asks, looking up at Lucy while she unfolds another chair. "I've never really been into sports, but maybe I will. I read they're putting in extra effort to get girls into sports. Do you think there'll be a lot of female speakers? I'd like to see that."
Gwen Cross, Ivory Ace, Tom Drake
Gwen, Selena, and Tom live different lives and have different legacies, but all three receive the same message from The Movement for Movement, a local non-profit. All three are invited to speak at the Prosperity Central Public Library to encourage youths to engage in sports and athletics. The call details the benefits this will have on children's physical health, and the importance of such in the age of video games, internet, and other sedentary distractions. If asked at length, the call will admit that The Movement for Movement cannot pay them for their time, but think of those benefits for the children!
Buford
WELCOME BACK, reads the cake. Well, now, it's more like WE B. Everyone in the department's celebrating Buford's return to the force. Surviving an attack from Nadia Grey, Prosperity's most wanted murderer, was impressive enough; completing his physical therapy and returning to field duty was nothing short of miraculous. Buford can't go five minutes without another cop patting him on the back and congratulating his hardiness.
At one point, a young, brash officer catches Buford isolated from the others. He shakes his hand, but Buford can let go, suddenly pulls him close and whispers into his ear.
"Don't worry, Officer Justice," the young officer whispers. "Every cop in the city's got a bullet with Grey's name on it. She'll never make it to trial."
Immediately after this clandestine promise, the officer slips away. Before he can follow up, Buford hears a familiar voice from behind him.
"Buford, walk with me." Captain Davidson joined the force about the same time as Buford, but shot through the ranks instead of sticking to the streets. He's still huge, but it's clear he's not twenty-five years old anymore - clear to everyone except, possibly, Davidson himself.
"First of all, it's good to have you back," Davidson says. "Second, it's not official yet, but everyone knows it's gonna happen, so - they're gonna offer to make you detective. You're overdue and everyone knows it, but there's more to it than that. Things are...different, out there. I don't have to tell you that. It used to be, people would see a cop walking the beat and feel safe. Now it just reminds them that the system's failed. We need you putting your expertise to work on real police work, not just grunt stuff. Findings the whos and whys, winning wars instead of battles."
Davidson looks over at Buford. "You get what I'm saying?"
Trevor Night
My Apologies from Another Reality is an ultra-niche sci-fi/horror/action manga with tragic romance elements. It is virtually unknown in the west, partially because its pun-laden dialogue and allusions to Japanese society, history, and mythology are impossible to translate, and partially because it is almost as unknown in Japan itself, being published in a single magazine limited to the Okinawa prefecture. Its deep worldbuilding, complex characters, and heartbreaking pathos invite discussion, but it's hard to find other readers. In all of Prosperity, Trevor Night has only found four others who read the manga. After each chapter is released, their discussion group meets at Prosperity Central Public Library to discuss it the following Saturday - today.
When Trevor arrives, he finds three others already at their usual table waiting for him: Greg, the fiftysomething who claims to have taught English in Tokyo decades ago; Jagruti, the thirtysomething housewife and mother of two who's introduced Trevor to manga titles that get less than a hundred Google hits; and Kenji, the eighteen-year-old second-generation immigrant studying cybernetics in university. Tandy isn't here yet, but that's okay; Trevor is still a couple minutes early.