Once Charles was set in place, Felton sat on his chair and he placed the canvas and podium in front of him. he took a piece of charcoal and started. After getting a basic outline of his body, Felton worked on his face. He got up and went to him, tilting his face up in a diagonal fashion so that the light would catch onto his face. Going back, he sat down and worked on the face, taking in every detail, every feature to transmit the handsomeness of Charles onto paper.