Dane Stalling
Super-Earth
- Joined
- Mar 10, 2014
- Location
- Midwest
October 5th, 1967, clear with storm warning, 78°
I've seen the pen touch your lips, while you were writing, you did it again and again. The tip on the paper for a sentence or two, sometimes just a word, then the other end tapping your lower lip. Once, when Mrs. Stanford walked by you jerked it away as though you had been caught at something shameful.
You're right that those kinds of thoughts are piercing and honest, but sinful? No. No more sinful than being thirsty or hungry or sleepy. No more sinful than being curious.
You'd find my diary boring, mostly vacuum tubes and schematics for door alarms. Sometimes a little more- things I see some nights at the clearing. You'd think those base and tawdry, or would you? I'm no songwriter, Pretty G, but if I were, I'd make a whole album based on the expressions on your face when you write. The pen song and the angry song and the face you make when you're slipping your diary away next to old Pulitzer.
Without panties on the line, why would anyone even try the window? Although you left it unlatched when you snuck out to see what the hippies were up to. Do you hope he returned? I never saw Johnny. I saw you though, climbing down the trellis into the garden. Your coat hooked on a rose thorn and you had to untangle it. I couldn't see your face then, but what a song it would have made.
I wanted to follow you to find out where you went, and maybe I should have. I never would have guessed. I did something else instead- I reversed your path into the garden, up the trellis, into your window. It was warm inside, and dark. I saw the record player, so I knew which bed was Joyce's, and which one was yours. I could have told anyway- there were only books by one bed. I pulled out the one on the end, the photo album. I flipped, watching you grow up in my flashlight beam from toddler to girl to awkward teen to beauty. Something caught my eye though. You were rarely in the center of a snapshot. Always it was someone else- your mother, your sister. You live in the edges of those pictures. You may think it's because you're second prettiest, but that's not it. I took one, from near the back. Last summer by the date written on the back in your handwriting, you at a picnic on Breakfast Branch, everyone in swimsuits, smiling. You, smiling there at the edge in a yellow one piece, a plastic cup in your hand. I'm giving you the picture back, mostly. You're in the middle of the piece I'm keeping, the way I cut it. My coat caught on the roses when I left.
I want to know what you learned, what you saw out by the clearing. Did you see anything you wanted to try? Were you envious? Disgusted? Thrilled? I want to know how that sentence ends, "I hugged the limb between my legs, remembered Johnny and..."
You should tell me. I want to hear it from your own mouth. That picnic spot where Breakfast Branch crosses E. 28th Road. I'll leave an oil lamp out, but it will be dark inside. A midnight picnic, Pretty G. I'll bring the potato salad and the fried chicken, the horseshoes and the lemonade. You only have to bring one thing. The end of that sentence.
R
I've seen the pen touch your lips, while you were writing, you did it again and again. The tip on the paper for a sentence or two, sometimes just a word, then the other end tapping your lower lip. Once, when Mrs. Stanford walked by you jerked it away as though you had been caught at something shameful.
You're right that those kinds of thoughts are piercing and honest, but sinful? No. No more sinful than being thirsty or hungry or sleepy. No more sinful than being curious.
You'd find my diary boring, mostly vacuum tubes and schematics for door alarms. Sometimes a little more- things I see some nights at the clearing. You'd think those base and tawdry, or would you? I'm no songwriter, Pretty G, but if I were, I'd make a whole album based on the expressions on your face when you write. The pen song and the angry song and the face you make when you're slipping your diary away next to old Pulitzer.
Without panties on the line, why would anyone even try the window? Although you left it unlatched when you snuck out to see what the hippies were up to. Do you hope he returned? I never saw Johnny. I saw you though, climbing down the trellis into the garden. Your coat hooked on a rose thorn and you had to untangle it. I couldn't see your face then, but what a song it would have made.
I wanted to follow you to find out where you went, and maybe I should have. I never would have guessed. I did something else instead- I reversed your path into the garden, up the trellis, into your window. It was warm inside, and dark. I saw the record player, so I knew which bed was Joyce's, and which one was yours. I could have told anyway- there were only books by one bed. I pulled out the one on the end, the photo album. I flipped, watching you grow up in my flashlight beam from toddler to girl to awkward teen to beauty. Something caught my eye though. You were rarely in the center of a snapshot. Always it was someone else- your mother, your sister. You live in the edges of those pictures. You may think it's because you're second prettiest, but that's not it. I took one, from near the back. Last summer by the date written on the back in your handwriting, you at a picnic on Breakfast Branch, everyone in swimsuits, smiling. You, smiling there at the edge in a yellow one piece, a plastic cup in your hand. I'm giving you the picture back, mostly. You're in the middle of the piece I'm keeping, the way I cut it. My coat caught on the roses when I left.
I want to know what you learned, what you saw out by the clearing. Did you see anything you wanted to try? Were you envious? Disgusted? Thrilled? I want to know how that sentence ends, "I hugged the limb between my legs, remembered Johnny and..."
You should tell me. I want to hear it from your own mouth. That picnic spot where Breakfast Branch crosses E. 28th Road. I'll leave an oil lamp out, but it will be dark inside. A midnight picnic, Pretty G. I'll bring the potato salad and the fried chicken, the horseshoes and the lemonade. You only have to bring one thing. The end of that sentence.
R