RE: Southern Girl ::: {Ariamella & Reydan}
He watched her leave. Outwardly she was the very picture of Southern decorum, prim and proper with just a hint of amusement. If Virgil Abernathy did not know better, he would have been as charmed as Greggs clearly was by her polite removal from the factory floor. But he did know better. He knew Lucy Rayne very well indeed. She wanted him to follow her.
His feet moved mechanically after her, almost without him noticing, down the corridor. His eyes checked each room as he passed but, really, his mind was elsewhere.
In the South.
She had been like this during their early courting. Earlier in their lives the Abernathys and the Raynes had hoped, nay expected, Virgil and Viola to marry. They had grown up together, were of a similar calm temperament, had matching passions and quiet hobbies. Loved reading. Loved talking. Loved walking, arm-in-arm, through the wind-rustled fields of tobacco. Just did not love each other. At least not in the way that husband and wife should.
Still, they had gone through the motions. Decorously sat together, exchanged tokens, walked out, chaperoned from a safe but noted distance. But it had only been to please their parents. And, perhaps, to spend time together. For Virgil did adore Viola. Her absence was hard to bear, even now after so many years. She had been the closest of friends.
And then there had been Lucille.
Lucille had snared his heart early on in their youths, when she had grown out of being a smaller than average child and into a coquettish young woman. She knew she had snared him, loved that she had captivated him. But also hated that he went through the motions with Viola. He had never been sure if it was simple jealousy or rather a complete failure to comprehend duty or decorum. Neither had been Lucy Rayne's strongsuits. She had always stormed off, flounced from the rooms of their youth, to await a passionate visit from him.
He found her in his office, standing by the window, and could see in the reflection of the glass the tweaking corners of a smile on her lips. Yet Virgil was suddenly hesitant. Lucille Rayne was dangerous. Tantalizing and flirtatious, even after all these years, and with a hold on his heart that did not seem to have diminished. But Virgil was married now. He had a wife at home. Would Lucy understand that? Would she comprehend? Or would she chart, as she had in their youths, her own dangerous course?
He stepped up next to her, breathing in her wonderful scent. That mixture of flowers and warm fabric and the faintest whiff of tobacco leaves that were the vestiges of his childhood. He looked at the frenetic street below, criss-crossed by telegraph lines and full of cold and bustle and noise. He had nothing to say on what had happened between them behind the door. Lucy was always the one to set the tone in these meetings, he remembered well. Always liked to stamp her official interpretation on what had happened. Instead, he looked out at the street.
"I fear this world offers little place for people such as you and I" he said softly, meaning it in his heart. "You and I share a different way of life that, whatever its faults or merits, stands in direct contrast to life in the metropolis. We are relics of the past Lucy Rayne".
He watched her leave. Outwardly she was the very picture of Southern decorum, prim and proper with just a hint of amusement. If Virgil Abernathy did not know better, he would have been as charmed as Greggs clearly was by her polite removal from the factory floor. But he did know better. He knew Lucy Rayne very well indeed. She wanted him to follow her.
His feet moved mechanically after her, almost without him noticing, down the corridor. His eyes checked each room as he passed but, really, his mind was elsewhere.
In the South.
She had been like this during their early courting. Earlier in their lives the Abernathys and the Raynes had hoped, nay expected, Virgil and Viola to marry. They had grown up together, were of a similar calm temperament, had matching passions and quiet hobbies. Loved reading. Loved talking. Loved walking, arm-in-arm, through the wind-rustled fields of tobacco. Just did not love each other. At least not in the way that husband and wife should.
Still, they had gone through the motions. Decorously sat together, exchanged tokens, walked out, chaperoned from a safe but noted distance. But it had only been to please their parents. And, perhaps, to spend time together. For Virgil did adore Viola. Her absence was hard to bear, even now after so many years. She had been the closest of friends.
And then there had been Lucille.
Lucille had snared his heart early on in their youths, when she had grown out of being a smaller than average child and into a coquettish young woman. She knew she had snared him, loved that she had captivated him. But also hated that he went through the motions with Viola. He had never been sure if it was simple jealousy or rather a complete failure to comprehend duty or decorum. Neither had been Lucy Rayne's strongsuits. She had always stormed off, flounced from the rooms of their youth, to await a passionate visit from him.
He found her in his office, standing by the window, and could see in the reflection of the glass the tweaking corners of a smile on her lips. Yet Virgil was suddenly hesitant. Lucille Rayne was dangerous. Tantalizing and flirtatious, even after all these years, and with a hold on his heart that did not seem to have diminished. But Virgil was married now. He had a wife at home. Would Lucy understand that? Would she comprehend? Or would she chart, as she had in their youths, her own dangerous course?
He stepped up next to her, breathing in her wonderful scent. That mixture of flowers and warm fabric and the faintest whiff of tobacco leaves that were the vestiges of his childhood. He looked at the frenetic street below, criss-crossed by telegraph lines and full of cold and bustle and noise. He had nothing to say on what had happened between them behind the door. Lucy was always the one to set the tone in these meetings, he remembered well. Always liked to stamp her official interpretation on what had happened. Instead, he looked out at the street.
"I fear this world offers little place for people such as you and I" he said softly, meaning it in his heart. "You and I share a different way of life that, whatever its faults or merits, stands in direct contrast to life in the metropolis. We are relics of the past Lucy Rayne".