Kayito-san
Super-Earth
- Joined
- Jan 21, 2009
Allan's gaze poured intently over the crusted leaves. He licked his thumb and carefully turned to the next page, a different set of foreign syllables peering up at him. He'd studied it, learned its language and wisdom. It was mystifying, written as one would expect in such this nefarious tome. It was the Necronomicon, an ancient grimoire of 'untold power'.
That was if you believed in magic. Sadly, Allan was the skeptical type. As much as the occult drew his interest, he knew it was a work of fiction. Nevertheless he found solace reading through its pages. He could only imagine what these spells were said to do. The language in the book was strange, but somewhat poetic, and he'd taken it upon himself to decipher the passages. He flipped to the next page.
Allan was surprised to find an illustration– the first image thus far. He leaned closer to the book, tilting it upright so as to study the image further. Two circles, one within the other, some other symbols between their circumferences, a pentagram in the centre, a symbol in each of the five corners. He reached aside and drew a piece of paper and a pencil. He laid the paper down and carefully traced the diagram. Lifting the sheet from the book, he set it aside, and turned his focus to the opposite page. There was something unusual about this page. The syllabary was different this time. Rhythmic, closer to a pentatonic poem than to the multi-rhythmic prose otherwise featured.
Allan sat back in his chair and rubbed his chin. This was an interesting discovery. He understood what previous passages had indicated. While many of them had been instructions on how to create potions, mystical wards, and other spells, the Necronomicon had directed him that poems were only ever used in powerful incantations, such as materializations, charms… or summons. He'd used the information to create a variety of his own 'charms' and 'incantations', not because he thought they'd do anything, but because he found the book's language to be poetic. He felt that creating his own poetry based on the book's content and syllabic structure had been somehow justified– respectful.
His curiosity bested him; he stood, and tossed the sheet of paper to the centre of the floor. He cradled the book in his arm, and begin to slowly read…
… Allan waited momentarily. He cleared his throat. Nothing, of course. He was faintly disappointed, but not at all surprised. The Necronomicon was fictive, after all. He gathered the various sheets of paper from the table, and put them all together in a neat pile, closing the book and placing it beside them on his desk. It was late, he'd gotten carried away again. The paper on the floor sat there, motionless as he peered down at it. He shook his head and bent to pick it up.
"Ow, fuck" he muttered, the page falling back towards the floor. "Fucking papercut, ow." Allan sucked on his finger and then shook his hand gently. He looked down at the paper, one corner of which was smeared very lightly with blood. His finger, however, was still bleeding. "Nasty spot to get a cut…" he observed, and trod quickly to the bathroom to wash up.
That was if you believed in magic. Sadly, Allan was the skeptical type. As much as the occult drew his interest, he knew it was a work of fiction. Nevertheless he found solace reading through its pages. He could only imagine what these spells were said to do. The language in the book was strange, but somewhat poetic, and he'd taken it upon himself to decipher the passages. He flipped to the next page.
Allan was surprised to find an illustration– the first image thus far. He leaned closer to the book, tilting it upright so as to study the image further. Two circles, one within the other, some other symbols between their circumferences, a pentagram in the centre, a symbol in each of the five corners. He reached aside and drew a piece of paper and a pencil. He laid the paper down and carefully traced the diagram. Lifting the sheet from the book, he set it aside, and turned his focus to the opposite page. There was something unusual about this page. The syllabary was different this time. Rhythmic, closer to a pentatonic poem than to the multi-rhythmic prose otherwise featured.
Allan sat back in his chair and rubbed his chin. This was an interesting discovery. He understood what previous passages had indicated. While many of them had been instructions on how to create potions, mystical wards, and other spells, the Necronomicon had directed him that poems were only ever used in powerful incantations, such as materializations, charms… or summons. He'd used the information to create a variety of his own 'charms' and 'incantations', not because he thought they'd do anything, but because he found the book's language to be poetic. He felt that creating his own poetry based on the book's content and syllabic structure had been somehow justified– respectful.
His curiosity bested him; he stood, and tossed the sheet of paper to the centre of the floor. He cradled the book in his arm, and begin to slowly read…
… Allan waited momentarily. He cleared his throat. Nothing, of course. He was faintly disappointed, but not at all surprised. The Necronomicon was fictive, after all. He gathered the various sheets of paper from the table, and put them all together in a neat pile, closing the book and placing it beside them on his desk. It was late, he'd gotten carried away again. The paper on the floor sat there, motionless as he peered down at it. He shook his head and bent to pick it up.
"Ow, fuck" he muttered, the page falling back towards the floor. "Fucking papercut, ow." Allan sucked on his finger and then shook his hand gently. He looked down at the paper, one corner of which was smeared very lightly with blood. His finger, however, was still bleeding. "Nasty spot to get a cut…" he observed, and trod quickly to the bathroom to wash up.