Shiva the Cat
the reports of my death are greatly exaggerated
- Joined
- Jun 1, 2019
- Location
- over the hills and far away
Someday, I'm not going to have to drive myself through this freaking traffic anymore Noemi thought as she pulled into the parking lot of the recording studio. Once Martin stops casting me as a guy, probably.
Oh well. She'd just wrapped up her role as Stephano in the Freeport Opera Company's production of Roméo et Juliette, and she was determined to make a fresh start of the situation before rehearsals began for The Tales of Hoffmann, in which the petite twenty-four-year-old would yet again be wearing pants (this time in the role of Nicklausse, which to be fair did have some great pieces). Singing on someone else's album wasn't exactly as exciting as cutting one of her own, but at least Noemi was going to get paid for the opportunity rather than having to foot the bill herself. In her two years since joining the opera she'd managed to make enough money to buy a decent car and afford rent on a very nice one-bedroom apartment downtown, but the cost of recording a decent solo album with the kind of backing orchestration she longed for was way above her pay grade.
It wasn't fair. Martin Carmichael, the manager of the FOC, never wanted to do anything that didn't highlight the diva of the company, the world-renowned soprano Carisse St. Jean, despite the fact that he had an up-and-coming mezzo-soprano on hand who was almost twenty years younger and at least sixty pounds lighter. Of course, with her petite frame and youthful face, Noemi didn't have the stage presence of Carisse, but how could she ever get her chance to shine if the company kept avoiding productions like Dido and Aeneas or The Tempest, or Noemi's personal favorite: Carmen. She'd graduated top of her class at USC singing the lead in that production, and the recording was probably what had landed her the job with the FOC. But God forbid someone take Carisse's crown off her fat blonde head, so the young singer had to suck it up and accept side role after side role, waiting for the perfect opportunity to finally make an impact on the audience.
Maybe this will be it she thought as she walked through the doors of the glass and concrete skyscraper, then snorted a little laugh when she saw the hangers-on in the lobby. Yeah, right. Like these metalheads would know a decent singer when they heard it. It was all screaming and growling with these types, if you could even hear it over the unnecessarily aggressive drums and guitars.
Noemi wasn't even sure why Angelo had asked her to do this, except maybe out of desperation on his end. They'd been friends back in college and still got lunch together occasionally to reminisce about old times, and a few weeks earlier he'd mentioned that one of the label's new bands, “Century of Something-or-Other,” wanted to record a song with a female singer, preferably one with classical training for whatever reason. Angelo had volunteered Noemi before he'd even asked her, and it was primarily due to the payment (and even better, the royalties, scanty as they'd probably be) she'd be getting and the lucky opening in her schedule that she'd even accepted.
The young producer was waiting for the singer near the security desk, a steaming paper cup of tea ready in hand. Angelo's elegant shoulders finally relaxed in relief when he saw Noemi approaching, large glasses shielding her dark eyes and her cute little frame swathed in a bright red coat against the early autumn chill outside. “Oh thank god. I knew you wouldn't let me down, Noe. How was traffic?” he asked, handing her the tea and escorting her towards the nearest elevator.
“Shitty as usual,” Noemi replied in her warm, lyric tones, sipping delicately at the tea more out of politeness than necessity. “Is the rest of the band here yet? I'm going to need some time to get warmed up, but I don't think it'll take too long. I listened to that demo you sent me, it doesn't seem like too hard of a part.” That was another reason she'd agreed to the gig; compared to some of the more challenging roles she'd had to play onstage, this would be a breeze.
“No, they aren't. And Jace isn't answering his phone. And my boss wants to listen in on the session, so naturally I'm about to have a fucking aneurysm,” Angelo confided as the elevator sped upward. “I was hoping maybe you'd be able to keep him busy until I figure out what's going on with those guys?”
The singer's eyes sparkled with interest. “Oh? Is your boss an opera fan?”
“Uh...kinda,” the producer said slowly. “He saw that production of Tristan and Isolde you were in last year though, and he said he really liked it.”
Noemi's face fell. “Ange, I was in the chorus in that one, and my character barely sang at all.” And he too had been a man, or a boy, technically.
“Yeah, well...I'm sure you can impress him now, without all that competition! Maybe you can even ask him about that solo album you were talking about before,” Angelo suggested as the doors opened to the studio floor.
His companion's face darkened a little, and she pressed her lips together in an unhappy line. “I'll do my best. After I warm up,” she stated finally. Angelo seemed to understand, and led her to a small practice room where she could get settled before heading into the studio itself. Leaving her to her scales and stretches of song, the producer ducked out again to call the rest of his talent, praying that someone would finally answer this time.
But when Noemi stepped out of the practice room fifteen minutes later, dressed now in a simple black skater dress that would allow her plenty of freedom of moment, she found her friend still whispering in panicked tones to an older man in a sharply-tailored suit, who nodded politely to the singer as she approached the door of the recording booth.
“At least someone knows how to be on time,” the man in the suit remarked, then held out a hand to her. “Benjamin Holden, executive producer for the album. I can't thank you enough for taking the time to come down here, Miss Lang, and I apologize for the band being a little on the late side. I'm sure they'll be here soon, and I want to assure you that you will be fully compensated even if...well, if things don't turn out right today.”
Great. I get to spend the afternoon sitting on my ass waiting for a bunch of amateur punks Noemi thought, although the sweet smile on her face conveyed none of the bitterness she was feeling inside. “It's no trouble at all, Mr. Holden. I've got some free time for the next week or so before rehearsals begin again.”
“That's right, Angelo mentioned you sang with the city opera company. What are you doing next? I always mean to check it out but time just always seems to get away from me,” Mr. Holden added with a chuckle.
Noemi's small white hand clenched into a fist and her smile seemed to grow even tighter. “Les contes d'Hoffmann,” she replied in a flawless French accent. “Are you familiar with it?”
“Not in the least,” the executive replied. “If you don't mind, how about hopping in the booth there and singing a little bit of it for me, just as sort of a sound check while we wait?”
“Certainly,” Noemi said, one hand already on the door.
Not long after, the vibrato strains of Nicklausse's part of “Voyez-la sous son éventail” began to echo through the studio, probably for the first and last time ever.
Oh well. She'd just wrapped up her role as Stephano in the Freeport Opera Company's production of Roméo et Juliette, and she was determined to make a fresh start of the situation before rehearsals began for The Tales of Hoffmann, in which the petite twenty-four-year-old would yet again be wearing pants (this time in the role of Nicklausse, which to be fair did have some great pieces). Singing on someone else's album wasn't exactly as exciting as cutting one of her own, but at least Noemi was going to get paid for the opportunity rather than having to foot the bill herself. In her two years since joining the opera she'd managed to make enough money to buy a decent car and afford rent on a very nice one-bedroom apartment downtown, but the cost of recording a decent solo album with the kind of backing orchestration she longed for was way above her pay grade.
It wasn't fair. Martin Carmichael, the manager of the FOC, never wanted to do anything that didn't highlight the diva of the company, the world-renowned soprano Carisse St. Jean, despite the fact that he had an up-and-coming mezzo-soprano on hand who was almost twenty years younger and at least sixty pounds lighter. Of course, with her petite frame and youthful face, Noemi didn't have the stage presence of Carisse, but how could she ever get her chance to shine if the company kept avoiding productions like Dido and Aeneas or The Tempest, or Noemi's personal favorite: Carmen. She'd graduated top of her class at USC singing the lead in that production, and the recording was probably what had landed her the job with the FOC. But God forbid someone take Carisse's crown off her fat blonde head, so the young singer had to suck it up and accept side role after side role, waiting for the perfect opportunity to finally make an impact on the audience.
Maybe this will be it she thought as she walked through the doors of the glass and concrete skyscraper, then snorted a little laugh when she saw the hangers-on in the lobby. Yeah, right. Like these metalheads would know a decent singer when they heard it. It was all screaming and growling with these types, if you could even hear it over the unnecessarily aggressive drums and guitars.
Noemi wasn't even sure why Angelo had asked her to do this, except maybe out of desperation on his end. They'd been friends back in college and still got lunch together occasionally to reminisce about old times, and a few weeks earlier he'd mentioned that one of the label's new bands, “Century of Something-or-Other,” wanted to record a song with a female singer, preferably one with classical training for whatever reason. Angelo had volunteered Noemi before he'd even asked her, and it was primarily due to the payment (and even better, the royalties, scanty as they'd probably be) she'd be getting and the lucky opening in her schedule that she'd even accepted.
The young producer was waiting for the singer near the security desk, a steaming paper cup of tea ready in hand. Angelo's elegant shoulders finally relaxed in relief when he saw Noemi approaching, large glasses shielding her dark eyes and her cute little frame swathed in a bright red coat against the early autumn chill outside. “Oh thank god. I knew you wouldn't let me down, Noe. How was traffic?” he asked, handing her the tea and escorting her towards the nearest elevator.
“Shitty as usual,” Noemi replied in her warm, lyric tones, sipping delicately at the tea more out of politeness than necessity. “Is the rest of the band here yet? I'm going to need some time to get warmed up, but I don't think it'll take too long. I listened to that demo you sent me, it doesn't seem like too hard of a part.” That was another reason she'd agreed to the gig; compared to some of the more challenging roles she'd had to play onstage, this would be a breeze.
“No, they aren't. And Jace isn't answering his phone. And my boss wants to listen in on the session, so naturally I'm about to have a fucking aneurysm,” Angelo confided as the elevator sped upward. “I was hoping maybe you'd be able to keep him busy until I figure out what's going on with those guys?”
The singer's eyes sparkled with interest. “Oh? Is your boss an opera fan?”
“Uh...kinda,” the producer said slowly. “He saw that production of Tristan and Isolde you were in last year though, and he said he really liked it.”
Noemi's face fell. “Ange, I was in the chorus in that one, and my character barely sang at all.” And he too had been a man, or a boy, technically.
“Yeah, well...I'm sure you can impress him now, without all that competition! Maybe you can even ask him about that solo album you were talking about before,” Angelo suggested as the doors opened to the studio floor.
His companion's face darkened a little, and she pressed her lips together in an unhappy line. “I'll do my best. After I warm up,” she stated finally. Angelo seemed to understand, and led her to a small practice room where she could get settled before heading into the studio itself. Leaving her to her scales and stretches of song, the producer ducked out again to call the rest of his talent, praying that someone would finally answer this time.
But when Noemi stepped out of the practice room fifteen minutes later, dressed now in a simple black skater dress that would allow her plenty of freedom of moment, she found her friend still whispering in panicked tones to an older man in a sharply-tailored suit, who nodded politely to the singer as she approached the door of the recording booth.
“At least someone knows how to be on time,” the man in the suit remarked, then held out a hand to her. “Benjamin Holden, executive producer for the album. I can't thank you enough for taking the time to come down here, Miss Lang, and I apologize for the band being a little on the late side. I'm sure they'll be here soon, and I want to assure you that you will be fully compensated even if...well, if things don't turn out right today.”
Great. I get to spend the afternoon sitting on my ass waiting for a bunch of amateur punks Noemi thought, although the sweet smile on her face conveyed none of the bitterness she was feeling inside. “It's no trouble at all, Mr. Holden. I've got some free time for the next week or so before rehearsals begin again.”
“That's right, Angelo mentioned you sang with the city opera company. What are you doing next? I always mean to check it out but time just always seems to get away from me,” Mr. Holden added with a chuckle.
Noemi's small white hand clenched into a fist and her smile seemed to grow even tighter. “Les contes d'Hoffmann,” she replied in a flawless French accent. “Are you familiar with it?”
“Not in the least,” the executive replied. “If you don't mind, how about hopping in the booth there and singing a little bit of it for me, just as sort of a sound check while we wait?”
“Certainly,” Noemi said, one hand already on the door.
Not long after, the vibrato strains of Nicklausse's part of “Voyez-la sous son éventail” began to echo through the studio, probably for the first and last time ever.